Today we feature albums by a couple of great singer-songwriters - one from the world of country and folk and the other a classic rock superstar who nevertheless has dipped his toes into the modern Americana/folk scene in the later stages of his career.
So it's a good day to feature another great country-folk songwriter in our bonus pick, and we'll go with one of Kendall's favorite songwriters, the great Tom T. Hall.
Hall was one of the more unique voices in country music throughout the 1970's. His songs were also unique - nicknamed "The Storyteller," they often felt like long folk poems set to music rather than typical three-minute country hits. In place of a chorus, he often settled for repeating the main line or hook in a single line at the end of the verse. One prominent example is his 1972 hit "(Old Dogs-Children And) Watermelon Wine" which was part of his album "The Storyteller" - our bonus pick of the day.
- Chuck Cox and Kendall Webb
CHUCK'S ALBUM OF THE DAY
Why I Love It
While I am not quite as much of a mega fan of "Bruuuuuuuce" as some people, I recognize his undeniable greatness. His nickname is "The Boss" for a reason. Although he has three or four albums that I would have been cool with being on my list, this one stands out. The pure art of storytelling on this record is amazing.
"Nebraska," "Atlantic City" and "Highway Patrolman"
Kendall on Chuck's Album of the Day
Just like Chuck, I acknowledge Bruce Springsteen's greatness while not necessarily being drawn to some of his biggest records on a personal level. "Nebraska," on the other hand, is a record I love and listen to, and it foreshadows the Americana work he's done over the past couple of decades like his most recent album "Western Stars" released last year.
KENDALL'S ALBUM OF THE DAY
Old No. 1 (1975)
Why I Love It
If not for the mid-'70s outlaw movement in country music, it's likely that an album like Guy Clark's "Old No. 1" never would have seen the light of day.
That is to say, this is not your traditional, polished Nashville country album from that era. Clark's voice is a rough-around-the-edges instrument to begin with, and the production here did nothing to hide that fact. The result is a riveting, authentic work of Americana two decades before that scene or genre even existed. Clark had already enjoyed success as a songwriter, but this album finally put his compositions forward in his own voice as they were intended. And they never sounded better than they did here.
"Rita Ballou," "She Ain't Goin' Nowhere" and "Desperadoes Waiting For A Train"
Chuck on Kendall's Album of the Day
As a writer, one of my favorite things about music is lyrics. Nobody turns a phrase in a song quite like the late Guy Clark. He is a Texas legend. "Let Him Roll" is one of my all-time favorite songs.